Cheek by Jowl
Winner of a 2009 Locus Award
"The monstrous homogenization of our world has now almost destroyed the map, any map, by making every place on it exactly like every other place, and leaving no blanks. … As in the Mandelbrot fractal set, the enormously large and the infinitesimally small are exactly the same, and the same leads always to the same again; there is no other; there is no escape, because there is nowhere else.
In reinventing the world of intense, unreproducible, local knowledge, seemingly by a denial or evasion of current reality, fantasists are perhaps trying to assert and explore a larger reality than we now allow ourselves. They are trying to restore the sense—to regain the knowledge—that there is somewhere else, anywhere else, where other people may live another kind of life.
The literature of imagination, even when tragic, is reassuring, not necessarily in the sense of offering nostalgic comfort, but because it offers a world large enough to contain alternatives and therefore offers hope."—from Cheek by Jowl
In these essays, Le Guin argues passionately that the homogenization of our world makes the work of fantasy essential for helping us break through what she calls "the reality trap." Le Guin writes not only of the pleasures of her own childhood reading, but also about what fantasy means for all of us living in the global twenty-first century.
"This compact collection will stoke readers' affection and appreciation for fantasy by highlighting important but overlooked qualities in many familiar tales (such as the duplicity at work in Lewis Carroll) that prove its lasting value as literature."—Publishers Weekly
Winner of a 2009 Locus Award
"The monstrous homogenization of our world has now almost destroyed the map, any map, by making every place on it exactly like every other place, and leaving no blanks. … As in the Mandelbrot fractal set, the enormously large and the infinitesimally small are exactly the same, and the same leads always to the same again; there is no other; there is no escape, because there is nowhere else.
In reinventing the world of intense, unreproducible, local knowledge, seemingly by a denial or evasion of current reality, fantasists are perhaps trying to assert and explore a larger reality than we now allow ourselves. They are trying to restore the sense—to regain the knowledge—that there is somewhere else, anywhere else, where other people may live another kind of life.
The literature of imagination, even when tragic, is reassuring, not necessarily in the sense of offering nostalgic comfort, but because it offers a world large enough to contain alternatives and therefore offers hope."—from Cheek by Jowl
In these essays, Le Guin argues passionately that the homogenization of our world makes the work of fantasy essential for helping us break through what she calls "the reality trap." Le Guin writes not only of the pleasures of her own childhood reading, but also about what fantasy means for all of us living in the global twenty-first century.
"This compact collection will stoke readers' affection and appreciation for fantasy by highlighting important but overlooked qualities in many familiar tales (such as the duplicity at work in Lewis Carroll) that prove its lasting value as literature."—Publishers Weekly
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Winner of a 2009 Locus Award
"The monstrous homogenization of our world has now almost destroyed the map, any map, by making every place on it exactly like every other place, and leaving no blanks. … As in the Mandelbrot fractal set, the enormously large and the infinitesimally small are exactly the same, and the same leads always to the same again; there is no other; there is no escape, because there is nowhere else.
In reinventing the world of intense, unreproducible, local knowledge, seemingly by a denial or evasion of current reality, fantasists are perhaps trying to assert and explore a larger reality than we now allow ourselves. They are trying to restore the sense—to regain the knowledge—that there is somewhere else, anywhere else, where other people may live another kind of life.
The literature of imagination, even when tragic, is reassuring, not necessarily in the sense of offering nostalgic comfort, but because it offers a world large enough to contain alternatives and therefore offers hope."—from Cheek by Jowl
In these essays, Le Guin argues passionately that the homogenization of our world makes the work of fantasy essential for helping us break through what she calls "the reality trap." Le Guin writes not only of the pleasures of her own childhood reading, but also about what fantasy means for all of us living in the global twenty-first century.
"This compact collection will stoke readers' affection and appreciation for fantasy by highlighting important but overlooked qualities in many familiar tales (such as the duplicity at work in Lewis Carroll) that prove its lasting value as literature."—Publishers Weekly
