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Otherwhere
From a Pulitzer Prize finalist and central figure in American poetry, a landmark collection of new and selected poems chronicling five decades of work marked by moral courage, radical empathy, and unflinching witness.
Over half a century, Carolyn Forché has exemplified how a poet’s voice can cut through the cacophony of an age and speak to our inexhaustible responsibility to each other. Otherwhere spans her groundbreaking career, including the poems crafted in her early twenties from Gathering the Tribes (1976), a world of “horse-breath weather” and the whispering aspens of her grandmother’s Slovak; the “poetry of courage and compassion” (Margaret Atwood) in The Country Between Us (1981); and the elegiac realm of In the Lateness of the World (2020), with its bygone friends, besieged cities, and dreams of the displaced.
Otherwhere gathers the finest poems of Forché’s body of work, selected by the poet herself, and includes a short new collection “If there is ink,” which lights a signal fire in a state of emergency. In these new poems, Forché sifts through the new ruins of the present, conjuring the early days of an emergency where people “pretend to live / as we have always lived,” and cautioning “There are no secrets to staying completely invisible so they are not included here.”
As Hilton Als writes in The New Yorker, “Toni Morrison once observed that there is no such thing as bigger than life: life is big. Forché, in her profoundly ambitious work, aims to capture that bigness, line by line.”
Over half a century, Carolyn Forché has exemplified how a poet’s voice can cut through the cacophony of an age and speak to our inexhaustible responsibility to each other. Otherwhere spans her groundbreaking career, including the poems crafted in her early twenties from Gathering the Tribes (1976), a world of “horse-breath weather” and the whispering aspens of her grandmother’s Slovak; the “poetry of courage and compassion” (Margaret Atwood) in The Country Between Us (1981); and the elegiac realm of In the Lateness of the World (2020), with its bygone friends, besieged cities, and dreams of the displaced.
Otherwhere gathers the finest poems of Forché’s body of work, selected by the poet herself, and includes a short new collection “If there is ink,” which lights a signal fire in a state of emergency. In these new poems, Forché sifts through the new ruins of the present, conjuring the early days of an emergency where people “pretend to live / as we have always lived,” and cautioning “There are no secrets to staying completely invisible so they are not included here.”
As Hilton Als writes in The New Yorker, “Toni Morrison once observed that there is no such thing as bigger than life: life is big. Forché, in her profoundly ambitious work, aims to capture that bigness, line by line.”
From a Pulitzer Prize finalist and central figure in American poetry, a landmark collection of new and selected poems chronicling five decades of work marked by moral courage, radical empathy, and unflinching witness.
Over half a century, Carolyn Forché has exemplified how a poet’s voice can cut through the cacophony of an age and speak to our inexhaustible responsibility to each other. Otherwhere spans her groundbreaking career, including the poems crafted in her early twenties from Gathering the Tribes (1976), a world of “horse-breath weather” and the whispering aspens of her grandmother’s Slovak; the “poetry of courage and compassion” (Margaret Atwood) in The Country Between Us (1981); and the elegiac realm of In the Lateness of the World (2020), with its bygone friends, besieged cities, and dreams of the displaced.
Otherwhere gathers the finest poems of Forché’s body of work, selected by the poet herself, and includes a short new collection “If there is ink,” which lights a signal fire in a state of emergency. In these new poems, Forché sifts through the new ruins of the present, conjuring the early days of an emergency where people “pretend to live / as we have always lived,” and cautioning “There are no secrets to staying completely invisible so they are not included here.”
As Hilton Als writes in The New Yorker, “Toni Morrison once observed that there is no such thing as bigger than life: life is big. Forché, in her profoundly ambitious work, aims to capture that bigness, line by line.”
Over half a century, Carolyn Forché has exemplified how a poet’s voice can cut through the cacophony of an age and speak to our inexhaustible responsibility to each other. Otherwhere spans her groundbreaking career, including the poems crafted in her early twenties from Gathering the Tribes (1976), a world of “horse-breath weather” and the whispering aspens of her grandmother’s Slovak; the “poetry of courage and compassion” (Margaret Atwood) in The Country Between Us (1981); and the elegiac realm of In the Lateness of the World (2020), with its bygone friends, besieged cities, and dreams of the displaced.
Otherwhere gathers the finest poems of Forché’s body of work, selected by the poet herself, and includes a short new collection “If there is ink,” which lights a signal fire in a state of emergency. In these new poems, Forché sifts through the new ruins of the present, conjuring the early days of an emergency where people “pretend to live / as we have always lived,” and cautioning “There are no secrets to staying completely invisible so they are not included here.”
As Hilton Als writes in The New Yorker, “Toni Morrison once observed that there is no such thing as bigger than life: life is big. Forché, in her profoundly ambitious work, aims to capture that bigness, line by line.”
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From a Pulitzer Prize finalist and central figure in American poetry, a landmark collection of new and selected poems chronicling five decades of work marked by moral courage, radical empathy, and unflinching witness.
Over half a century, Carolyn Forché has exemplified how a poet’s voice can cut through the cacophony of an age and speak to our inexhaustible responsibility to each other. Otherwhere spans her groundbreaking career, including the poems crafted in her early twenties from Gathering the Tribes (1976), a world of “horse-breath weather” and the whispering aspens of her grandmother’s Slovak; the “poetry of courage and compassion” (Margaret Atwood) in The Country Between Us (1981); and the elegiac realm of In the Lateness of the World (2020), with its bygone friends, besieged cities, and dreams of the displaced.
Otherwhere gathers the finest poems of Forché’s body of work, selected by the poet herself, and includes a short new collection “If there is ink,” which lights a signal fire in a state of emergency. In these new poems, Forché sifts through the new ruins of the present, conjuring the early days of an emergency where people “pretend to live / as we have always lived,” and cautioning “There are no secrets to staying completely invisible so they are not included here.”
As Hilton Als writes in The New Yorker, “Toni Morrison once observed that there is no such thing as bigger than life: life is big. Forché, in her profoundly ambitious work, aims to capture that bigness, line by line.”
Over half a century, Carolyn Forché has exemplified how a poet’s voice can cut through the cacophony of an age and speak to our inexhaustible responsibility to each other. Otherwhere spans her groundbreaking career, including the poems crafted in her early twenties from Gathering the Tribes (1976), a world of “horse-breath weather” and the whispering aspens of her grandmother’s Slovak; the “poetry of courage and compassion” (Margaret Atwood) in The Country Between Us (1981); and the elegiac realm of In the Lateness of the World (2020), with its bygone friends, besieged cities, and dreams of the displaced.
Otherwhere gathers the finest poems of Forché’s body of work, selected by the poet herself, and includes a short new collection “If there is ink,” which lights a signal fire in a state of emergency. In these new poems, Forché sifts through the new ruins of the present, conjuring the early days of an emergency where people “pretend to live / as we have always lived,” and cautioning “There are no secrets to staying completely invisible so they are not included here.”
As Hilton Als writes in The New Yorker, “Toni Morrison once observed that there is no such thing as bigger than life: life is big. Forché, in her profoundly ambitious work, aims to capture that bigness, line by line.”
